For an instant camera, image quality is also better than most of the other cameras I tested, producing relatively true-to-life photos. Most struggle to capture low-light conditions well, and this one is no exception, but the built-in flash helps. Fujifilm claims the Mini 12 optimizes image quality in both bright and dark environments better than its predecessor, but I didn’t notice much of a difference. The flash — which you can’t disable — is also still overpowering in some instances, resulting in a few overexposed images. Photos actually seemed a little darker and less vivid than before, but selfies captured my features and skin tone more accurately, thanks in part to the small front-facing mirror. The updated lens design also lets you twist into Close-Up Mode to zoom slightly and activate the Parallax Correction features for a more aligned photo. It’s a fun, point-and-shoot-style feature, though aligning photos still takes some practice (as well as some composition guidance from the manual).
Intuitively, it’s not too difficult to understand why this is the case. Remember that error-diffusion works in response to the relationship between the input value and the quantised value. In other words, the colour palette is already factored in during the dithering process. On the other hand, ordered dithering is completely agnostic to the colour palette being used. Images are perturbed the same way every time, regardless of the given palette.
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